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In spite of the fact that musical instruments, according to their definition, are tools manipulated by an artist to express himself, I believe that there is more than that, something deeper and deeply more important, related to inspiration, perception, creation and accompanying the musician all along his path.
This is what happens with my Trezzini guitar. Its spreading sonority, its brillant color and consistency, its precise tuning and balance, has contributed enormously to develop a sound of my own and inspired my compositions over the last four years.
I can use it in intimate situations as well as in rehearsals and concerts, all with very possitive results, because its qualities come together to enhance my expression.
Cecilia Zabala
Buenos Aires, May 2004
Cecilia Zabala combines music interpretation and creation, both academic and popular, with guitar and voice.
She performed as soloist as well as with different chamber groups in important concert halls of Buenos Aires, and in the festivals « Guitarras del Mundo ‘96 » and « 2002 ».
Awarded with a fellowship from the Fundación Antorchas (Argentina) for guitar playing 1999-2000, she attended guitar and composition classes in academic and popular music by Quique Sinesi, Pino Marone, Juan Falú, Eduardo Isaac, Eduardo Fernández, Eduardo Egüez, Dolores Costoyas, Claudio Schulkin and Rodolfo Daluisio.
At present she is focused on popular Argentine and Latinamerican music, by means of arrangements, improvisation, and voice, and composition for solo guitar, voice and guitar, and for her different chamber groups.
For further information : www.alvarezabaladuo.com.ar
