Multilayer soundboard guitars

During my research around volume, I concentrated in 2005 in the construction of laminated tops, inspired in the technique that Mathias Dammann had started in Germany about fifteen years ago.

Further on I enlarged my research combining spruce and red cedar in different layers.

As the number of possible combinations was quite rich, I had to do some thorough work in order to keep the classical features of my guitars.

The result is a more powerful guitar which has not only gained in volume, and its in-result the dynamic range, but that has developped accordingly the preexistant features of my guitars, such as projection, sustain, balance and evenness among notes, separation and clarity, responsiveness.

This research found immediate echo among guitars players, namely Rémi Jousselme, who found in this guitar the instrument of his dreams, and Quique Sinesi, who will start playing with his new seven string and multilayer top guitar in May.

 

My new model at the 2^nd International Guitar Festival Right Profit

I‘ll show my new guitars at the 2^nd International Guitar Festival Right Profit organised by David and María Russell, to be held in Perugia, Italy, May 24 to 28, in the ancient city of Città della Pieve, within the Palazzo de la Corgna dated 1500.

For more information on this Festival, please open www.rightprofit.it

 

A “flamenca blanca” guitar with a multilayer top

I am developping a flamenca blanca guitar that contains the features of the cypress, and the power of the multilayer tops.

 

Quique Sinesi’s compositions open their way towards the world

Terruño, 8 scores for guitar solo, by Quique Sinesi, has been published in Paris by Editions Lemoine, and heartily celebrated by the magazine Guitare Classique of february 2006.

For further information, open www.editions-lemoine.fr